{"id":126,"date":"2013-04-24T11:39:33","date_gmt":"2013-04-24T08:39:33","guid":{"rendered":"https:\/\/tr.uyghuracademy.org\/?p=126"},"modified":"2013-04-25T17:48:35","modified_gmt":"2013-04-25T14:48:35","slug":"ali-sir-nevai-1441-1501","status":"publish","type":"post","link":"https:\/\/tr.uyghuracademy.org\/?p=126","title":{"rendered":"Ali \u015eir Nevai (1441 – 1501)"},"content":{"rendered":"

\"Ali<\/a><\/p>\n

Nizam\u00fcddin Ali \u015eir Nevai veya yayg\u0131n ad\u0131yla Ali \u015eir Nevai (\u00c7a\u011fatayca: \u0646\u0638\u0627\u0645 \u0627\u0644\u062f\u06cc\u0646 \u0639\u0644\u06cc \u0634\u06cc\u0631 \u0646\u0648\u0627\u06cc\u06cc; \u00d6zbek\u00e7e: Alisher Navoiy; Uygurca: \u0646\u0649\u0632\u0627\u0645\u0649\u062f\u0646 \u0626\u06d5\u0644\u0634\u0649\u0631 \u0646\u0627\u06cb\u0627\u0626\u0649; 9 \u015eubat 1441, Herat – 3 Ocak 1501, Herat), 15. y\u00fczy\u0131l T\u00fcrk \u015fairi.<\/p>\n

Eserleri<\/strong><\/p>\n

Ali \u015eir Nevai’nin \u00c7a\u011fatayca[1] edebiyat\u0131n\u0131n olu\u015fmas\u0131nda b\u00fcy\u00fck bir rol\u00fc vard\u0131r. \u00c7e\u015fitli konularda yaz\u0131lm\u0131\u015f 30’a yak\u0131n eseri bulunmaktad\u0131r. Eserlerinden baz\u0131lar\u0131 \u015funlard\u0131r: \u00c7a\u011fatayca Divan (5 tane), Fars\u00e7a Divan (5 tane), \u00c7ihil Hadis (K\u0131rk Hadis) ve Muhakemet’\u00fcl Lugateyn (\u0130ki s\u00f6zl\u00fc\u011f\u00fcn kar\u015f\u0131la\u015ft\u0131r\u0131lmas\u0131)’d\u0131r.
\n15. y\u00fczy\u0131lda \u00c7a\u011fatayca’n\u0131n (\u00c7a\u011fatay T\u00fcrk\u00e7esi’nin) klasik bir yaz\u0131 dili olarak kimlik kazanmas\u0131nda Ali \u015eir Nevai’nin \u00f6nemi bilinmektedir. Nevai \u00f6ncesinde ve Nevai\u2019nin \u00e7a\u011f\u0131nda, Timurlular devletinde T\u00fcrk\u00e7e yazan sanat\u00e7\u0131lar azd\u0131r. Nevai, T\u00fcrk\u00e7eyi edebi dil olarak kullanmayan, Fars\u00e7a yazan \u00e7a\u011fda\u015flar\u0131na \u00e7atar. \u00c7a\u011fda\u015flar\u0131n\u0131n Fars\u00e7a’n\u0131n kar\u015f\u0131s\u0131nda edebi dil olarak T\u00fcrk\u00e7eyi yetersiz g\u00f6rmelerini ele\u015ftirir; e\u011fer emek verilirse T\u00fcrk\u00e7enin de Fars\u00e7a kadar, hatta daha fazla anlat\u0131m inceliklerine sahip oldu\u011funun g\u00f6r\u00fclece\u011fini belirtir. Bu g\u00f6r\u00fc\u015flerini Muhakemet’\u00fcl Lugateyn’de g\u00f6r\u00fcr\u00fcz.[2]
\nT\u00fcrk dili tarihinde Div\u00e2n-\u0131 L\u00fcgat-it T\u00fcrk’ten sonra ikinci \u00f6nemli kitapt\u0131r.[kaynak belirtilmeli] Hamse sahibi ilk T\u00fcrk \u015fairidir (hamse 5 mesneviden olu\u015fur). Tezkire sahibidir(g\u00fcn\u00fcm\u00fcz edebiyattaki biyografi): “Mecal\u00fcs’\u00fcn Nefais”. \u015eehrengiz:Do\u011fup b\u00fcy\u00fcd\u00fc\u011f\u00fc “Herat” kentinin do\u011fal g\u00fczelliklerini anlat\u0131r.
\n\u015eiirleri ya\u015fam\u0131n\u0131n de\u011fi\u015fik d\u00f6nemlerine g\u00f6re s\u0131n\u0131fland\u0131r\u0131p kronolojik olarak divan\u0131nda toplam\u0131\u015ft\u0131r.
\nFars\u00e7a’n\u0131n resmi dil oldu\u011fu, T\u00fcrk ayd\u0131nlar\u0131n\u0131n bu dille eser vermeyi h\u00fcner kabul etti\u011fi bir zamanda Nevai, \u00c7a\u011fatayca’n\u0131n Fars\u00e7adan \u00fcst\u00fcn bir dil oldu\u011funu savunmu\u015ft\u0131r. Bunu da eserleri ile kan\u0131tlam\u0131\u015f ve kendinden sonrakileri bu yolda eserler vermeye te\u015fvik etmi\u015ftir.
\nT\u00fcrk\u00e7e yazd\u0131\u011f\u0131 \u015fiirlerde kalem ad\u0131 Nev\u0101\u012b (\u0646\u0648\u0627\u0626\u0649 anlam\u0131 “a\u011flayan”) ad\u0131 alt\u0131nda, Ali \u015eir Nevai ba\u015f yazarlar\u0131n aras\u0131nda, yaz\u0131nsal T\u00fcrk dilleri ailesi yarar\u0131na b\u00fcy\u00fck de\u011fi\u015flik yapm\u0131\u015ft\u0131r. Nevai kendisi ba\u015fl\u0131ca \u00c7a\u011fatay dilinde yazar ve 30 y\u0131ll\u0131k bir d\u00f6nemin \u00fczerinde 30 eser \u00fcretir, b\u00f6ylece \u00c7a\u011fatayca Yaz\u0131nsal dil olarak \u00e7ok sayg\u0131n ve \u00f6nemli kabul edilmi\u015ftir. Nevai ayr\u0131ca Fars\u00e7a yazd\u0131\u011f\u0131 \u015fiirlerde ise, Fars\u00e7a dilinde (\u0641\u0627\u0646\u0649\u200e ; F\u0101ni kalem ad\u0131 alt\u0131nda, anlam\u0131 Arap\u00e7a “fena” s\u00f6z\u00fcnden: yok olu\u015f; mecazi m\u00e2n\u00e2s\u0131 ise Allah’\u0131n a\u015fk\u0131yla kendinden ge\u00e7me, yok olma veya “gelip ge\u00e7ici”), Arap\u00e7a ve Hint\u00e7e \u00e7ok daha az bir say\u0131da eser yazm\u0131\u015ft\u0131r. Ali \u015eir Nevai’nin en \u00e7ok tan\u0131nm\u0131\u015f \u015fiirleri onun d\u00f6rt divan’n\u0131nda, veya kabaca 50,000 \u015fiir koleksiyonu bulunur.
\nBed\u00e2i\u00fc’l-Bid\u00e2ye;
\nNevai bu ilk 842 \u015fiir bulunan divan\u0131n\u0131 1470 y\u0131l\u0131nda yazar. Bunlardan 585’i gazel, \u00fc\u00e7\u00fc m\u00fcstezad, d\u00f6rd\u00fc muhammes, ikisi m\u00fcseddes, \u00fc\u00e7\u00fc terci’-i bend, k\u0131rk dokuzu k\u0131t’a, yetmi\u015f sekizi rub\u00e2\u00ee, onu \u00e7ist\u00e2n, elli ikisi muamma, onu tuyuk, k\u0131rk alt\u0131s\u0131 m\u00fcfred’dir.
\nNev\u00e2dir\u00fc’n-Nih\u00e2ye;
\n1476 – 1483 y\u0131llar\u0131nda yazd\u0131\u011f\u0131 \u015fiirlerini bu ikinci divan\u0131nda toplad\u0131.
\nMuhakemet-\u00fcl-L\u00fcgateyn (\u0645\u062d\u0627\u0643\u0645\u0629\u200c\u0627\u0644\u0644\u063a\u062a\u064a\u0646, Mu\u1e25\u0101kim\u0101t al-lu\u0121at\u012bn);
\n1499 y\u0131l\u0131nda yazd\u0131\u011f\u0131 bu kitab\u0131, devrinde oldu\u011fu gibi bug\u00fcn de T\u00fcrk d\u00fcnyas\u0131 i\u00e7in \u00f6nemli olan, T\u00fcrk dilinin g\u00fcc\u00fcn\u00fc ve yerini anlatan b\u00fcy\u00fck bir eseridir.
\nGhara\u2019ib al-Sighar (Gar\u00e2\u00eeb\u00fc’s-S\u0131\u011far) \u015fairin 7-20 ya\u015flar\u0131 aras\u0131nda yazd\u0131\u011f\u0131 gen\u00e7lik \u015fiirleridir.
\nNavadir al-Shabab (Nev\u00e2dir\u00fc’\u015f-\u015eeb\u00e2b); 20-35 ya\u015flar\u0131 aras\u0131nda yazd\u0131\u011f\u0131 \u015fiirlerdir.
\nBada’i’ al-Wasat, (“Orta ya\u015f harikalar\u0131”);
\nBed\u00e2\u00ee\u00fc’l-Vasat orta ya\u015f, yani 35-45 ya\u015flar\u0131 aras\u0131nda yaz\u0131lm\u0131\u015f \u015fiirlerden meydana gelir.
\nFawa’id al-Kibar (Fev\u00e2yid\u00fc’l-Kibar) ise 45-60 y\u0131llar\u0131 aras\u0131nda yaz\u0131lm\u0131\u015f \u015fiirlerdir.
\nMizan-\u00fcl-Evzan (\u0645\u064a\u0632\u0627\u0646 \u0627\u0644\u0627\u0648\u0632\u0627\u0646, \u200eM\u012b\u1e93\u0101n al-au\u1e93\u0101n), (Vezinlerin Terazisi) aruz vezni hakk\u0131nda eseri. T\u00fcrk\u00fc s\u00f6zc\u00fc\u011f\u00fcn\u00fcn ilk olarak Ali \u015eir Nev\u00e2\u00ee\u2019nin bu eserinde ge\u00e7ti\u011fi bilinmektedir[3].
\nHamset-\u00fcl-M\u00fctehayyirin (\u062e\u0645\u0633\u0629\u200c\u0627\u0644\u0645\u062a\u062d\u064a\u0631\u064a\u0646, \u200eChamsat al-muta\u1e25ir\u012bn);
\nPiri, \u00fcstad\u0131 ve dostu Nureddin Abdurrahman Cami hakk\u0131nda “Hamset\u00fc’l Mutehayy\u0131r\u0131n” ismindeki eserini 1492-94 y\u0131llar\u0131 aras\u0131nda yazm\u0131\u015ft\u0131r.
\nT\u00e2r\u00eeh-i M\u00fcl\u00fbk-i \u2018Acem (\u0637\u0627\u064e\u0631\u0650\u0643\u0647\u0621 \u0645\u064f\u0644\u064f\u0643\u0621 \u0627\u062f\u0633\u062b\u0647\u064e\u0645, T\u0101rikh-e Muluk-e Adscham),
\n1488 y\u0131l\u0131nda Astrabad valisiyken yazd\u0131\u011f\u0131 “T\u00e2r\u00eeh-i M\u00fcl\u00fbk-i \u2018Acem” (\u0130ran Memleketleri Tarihi) kitab\u0131, bunlardan biridir. Nevai, bu eserinde “Arjasp Binni Efrasiyab kim, T\u00fcrk Padi\u015fahi erdi[4]. \u015feklinde Alp Er Tunga’dan s\u00f6z eder.
\nMecalis-\u00fcn-Nefais (\u0645\u064e\u062c\u064e\u0644\u0650\u0633 \u0627\u0644 \u0646\u064e\u0641\u0650\u0633, Majalis al-Nafais);
\nBir derleme, 450 \u00fczerinde \u00e7o\u011funlukla \u00e7a\u011fda\u015f ozanlar\u0131n (\u015fairlerin) ya\u015fam \u00f6yk\u00fcs\u00fc (biyografik) k\u0131sa hik\u00e2yeleri i\u00e7eren, \u00e7a\u011fda\u015f Timur k\u00fclt\u00fcr\u00fc tarih\u00e7ilerine alt\u0131n bir bilgi kayna\u011f\u0131 olu\u015fturur.
\nDiv\u0101n-e F\u0101n\u012b, Fars\u00e7a yazd\u0131\u011f\u0131 \u015fiirlerin topland\u0131\u011f\u0131 bu eseri gazel bi\u00e7iminde yaz\u0131lm\u0131\u015f ve m\u0131sra say\u0131s\u0131 12 bindir.
\nNazm-\u00fcl-Cevahir 1485 y\u0131l\u0131nda,
\nTuhfet-\u00fcl-M\u00fcluk (Fars\u00e7a),
\nM\u00fcn\u015feat (T\u00fcrk\u00e7e);
\nH\u00fcseyin Baykara’ya ve ba\u015fkalar\u0131na yazd\u0131\u011f\u0131 mektuplar\u0131n topland\u0131\u011f\u0131 bu eserini 1498 y\u0131l\u0131nda yazm\u0131\u015ft\u0131r.
\nSir\u00e2c\u00fc’l-M\u00fcslimin 1488 y\u0131l\u0131nda,
\nTarih-i En-biya ve H\u00fckema (T\u00fcrk\u00e7e),
\nMahbub-\u00fcl-Kulub fil-Ahlak 1500 y\u0131l\u0131nda,
\nSeyf-\u00fcl-Hadi,
\nRekabet-\u00fcl-M\u00fcnadi,
\nMek\u00e2rim\u00fc’l-Ahl\u00e2k;
\nBu kitab\u0131nda Nevai’nin yapt\u0131rd\u0131\u011f\u0131 imaret, h\u00e2neg\u00e2h, havuz, rib\u00e2t (kervansaray) vb. eserlerin listesini veriyor.
\nH\u00e2l\u00e2t-\u0131 Pehl\u00e2v\u00e2n Muhammed, Pehlivan Muhammed hakk\u0131nda yazd\u0131\u011f\u0131 eseri. Nevai ayr\u0131ca “Vaq-fiye” (1482), “Ris\u00e2le-yi Tir End\u00e2hten” eserlerinin de sahibidir. “Seb’at Abhur” (Yedi Deniz) adl\u0131 bir de s\u00f6zl\u00fck yazm\u0131\u015ft\u0131r.<\/p>\n

Tasavvuf eserleri<\/strong><\/p>\n

Lis\u00e2n\u00fc’t-Tayr<\/strong><\/p>\n

Lisan-\u00fct-Tayr, (\u0644\u0633\u0627\u0646 \u0627\u0644\u0637\u06cc\u0631, Lisan-ol-tayr); Ferid\u00fcddin Attar (Fars\u00e7a:\u0641\u0631\u06cc\u062f \u0627\u0644\u062f\u06cc\u0646 \u0639\u0637\u0627\u0631,\u200e Far\u012bdo d-D\u012bn \u2019Att\u0101r)’\u0131n Manteq-ol-tayr, veya (\u0645\u0646\u0637\u0642 \u0627\u0644\u0637\u06cc\u0631, Maq\u0101m\u0101t-e Toy\u016br)’dan esinlenerek, varl\u0131k ve ilahi ger\u00e7ek \u00fczerine g\u00f6r\u00fc\u015flerini, insan, tabiat ve ya\u015fam \u00fczerine 3500 beyitten olu\u015fan tasavvufi bir eserini 1499 y\u0131l\u0131nda yazm\u0131\u015ft\u0131r.<\/p>\n

Nes\u00e2im\u00fc’l-Muhabbet\u00a0<\/strong><\/p>\n

Nesaim-\u00fcl-Mehabbe, (\u0646\u0633\u0627\u06cc\u0645 \u0627\u0644\u0645\u062d\u0628\u062a, Nas\u0101yim ul-Muhabbat); 750 tan\u0131nm\u0131\u015f Sufi \u015feyhlerin listesi, Nureddin Abdurrahman Cami’nin Nafahat al-uns (\u0646\u0641\u062d\u0627\u062a \u0627\u0644\u0627\u0646\u0633) ad\u0131ndaki eserinin \u00c7a\u011fatayca \u00e7evirisidir.<\/p>\n

Hamse<\/strong><\/p>\n

<\/strong>Ali \u015e\u00eer Neva\u00ee\u2019nin do\u011fumunun 550. y\u0131l\u0131 an\u0131s\u0131na 1991 y\u0131l\u0131nda Rusya Merkez Bankas\u0131’nca bas\u0131lan hat\u0131ra paras\u0131. Bu para ile ilgili D\u00fcnya Para Katalo\u011fu’nda Almanca olarak \u015f\u00f6yle yazmaktad\u0131r: “Ali\u015fer Navoi: tschagatai-t\u00fcrkicher Dichter aus Herat heute Afghanistan, Begr\u00fcnder der tschagataischen Literatur sprache und Dichtung Turkestans.”<\/p>\n

Nevai’nin di\u011fer \u00f6nemli eserlerini be\u015f destans\u0131 \u015fiir ve Nizami Gencevi (\u0646\u0638\u0627\u0645\u06cc \u06af\u0646\u062c\u0648\u06cc, Nez\u0101m\u012b Ganjav\u012b, tam ismi: Ne\u1e93\u0101m ad-D\u012bn Ab\u016b Muhammad Ely\u0101s ibn Yus\u016bf ibn Zak\u012b ibn Mu’ayyid)’den esinlenerek yazd\u0131\u011f\u0131 Hamse yi olu\u015fturur;<\/p>\n

Hayret-\u00fcl-Ebrar<\/strong><\/p>\n

Hayret-\u00fcl-Ebrar (\u062d\u06cc\u0631\u062a \u0627\u0644\u0627\u0628\u0631\u0627\u0631, Hayrat-ol-abrar), Nevai’nin bu birinci mesnevisi, 7976 m\u0131sral\u0131k, felsef\u00ee bir eseridir. D\u00fcnya hayat\u0131, insan kalbi ve cemiyet; tarihler, efsaneler, meseller vas\u0131tas\u0131yla anlat\u0131l\u0131r.<\/p>\n

Ferhat ile \u015eirin<\/strong><\/p>\n

Ferhat \u00fc \u015eirin (\u0641\u0631\u0647\u0627\u062f \u0648 \u0634\u06cc\u0631\u06cc\u0646, Farh\u0101d-o Shirin),
\n<\/em><\/em><\/p>\n

Leyla ile Mecnun<\/strong>
\n<\/em><\/em><\/p>\n

Leyla ile Mecnun (\u0644\u06cc\u0644\u06cc \u0648 \u0645\u062c\u0646\u0648\u0646 , Layli va Majnun) , Azerice, T\u00fcrk\u00e7e uyarlamas\u0131 hik\u00e2ye, “Leyl\u00e2 ile Mecnun destan\u0131” (\u062f\u0627\u0633\u062a\u0627\u0646 \u0644\u064a\u0644\u0649 \u0648 \u0645\u062c\u0646\u0648\u0646, D\u00e2st\u00e2n-\u0131 Leyl\u00ee v\u00fc Mecn\u00fbn) ismiyle 16. y\u00fczy\u0131lda Fu\u1e93\u016bl\u012b taraf\u0131ndan yaz\u0131lm\u0131\u015ft\u0131r. Nevai bu \u00fc\u00e7\u00fcnc\u00fc mesnevisini, sonradan s\u00f6ylentiye g\u00f6re efs\u00e2neye d\u00f6n\u00fc\u015ft\u00fcr\u00fclen bu a\u015fk hik\u00e2yesini, y\u00fcksek bir sanat ve zevkle T\u00fcrk\u00e7e ve T\u00fcrk ruhuyla i\u015fler. Nevai bu mesnevisinin sonunda \u015f\u00f6yle ifade ediyor:
\nMen T\u00fcrk\u00e7e ba\u015flaban rivayet
\nQ\u0131ld\u0131m bu fes\u00e2neni hik\u00e2yet.
\nKim, \u015fuhreti \u00e7\u00fcn cah\u00e2nga tolgay,
\nT\u00fcrk eli\u011fe da\u011f\u0131 behre bolgay.
\nNev \u00e7\u00fcnki b\u00fck\u00fcn cah\u00e2nda etr\u00e2k
\nK\u00f6pt\u00fcr hu\u015ftab’u saf\u0131 idr\u00e2k.[5]
\nSab’a-i Seyyar [de\u011fi\u015ftir]
\nSeb\u2019a-i Seyyare (\u0633\u0628\u0639\u0647 \u0633\u06cc\u0627\u0631, Sab’ai Sayyar) Nevai, d\u00f6rd\u00fcnc\u00fc mesnevisi olan bu eserinde, \u015eark d\u00fcnyas\u0131nda \u00e7ok yay\u0131lm\u0131\u015f Behram Gur efsanesini ele al\u0131r.
\n<\/em><\/em><\/p>\n

Sedd\u00ee \u0130skender\u00ee<\/em><\/em><\/strong><\/p>\n

Sedd-i \u0130skenderi (\u0633\u062f \u0633\u06a9\u0646\u062f\u0631\u06cc, Sadd-i-Iskandari), Nevai, bu be\u015finci mesnevisinde B\u00fcy\u00fck \u0130skender’le ilgili efsanev\u00ee tarihi anlatman\u0131n yan\u0131nda, bu konuyu ara\u00e7 edip kendi devrinin madd\u00ee, manev\u00ee problemlerini, devlet, \u015fah, halk\u0131n y\u00f6netilmesi, adalet, hakikat gibi konular\u0131 da i\u015flemi\u015ftir.
\nAli \u015e\u00eer Neva\u00ee, bir beytinde, nevr\u00fbz g\u00fcn\u00fc gece ile g\u00fcnd\u00fcz\u00fcn e\u015fit olmas\u0131ndan s\u00f6z etmekte; di\u011fer bir beyitte ise nevr\u00fbzla Kadir gecesini bir arada kullanarak, nevr\u00fbzu \u00e2deta kutsalla\u015ft\u0131rmaktad\u0131r. \u015eair, \u00e7ok g\u00fczel olan bir beyitinde, hitap etti\u011fi ki\u015finin her gecesinin Kadir; her g\u00fcn\u00fcn\u00fcn de nevr\u00fbz olmas\u0131n\u0131 temenni etmektedir:
\nVasl\u0131 ara k\u00f6rd\u00fcm reng emi\u015f boynuyu-sa\u00e7\u0131
\nT\u00fcn-k\u00fcn teng ekan z\u00e2hir olur bold\u0131 Nevr\u00fbz[6]
\n<\/em><\/em><\/em><\/p>\n

Nevai’nin etkisi<\/em><\/em><\/em><\/strong><\/p>\n

Nevai’nin Herat’taki t\u00fcrbesi
\nNevai’nin do\u011fuda Hindistan’\u0131 ve bat\u0131da Osmanl\u0131 imparatorlu\u011funa kadar olan alanda b\u00fcy\u00fck bir etkisi olmu\u015ftur. Nevai bu vas\u0131flar\u0131yla sadece T\u00fcrkistan ve T\u00fcrk dilli devletlere de\u011fil b\u00fct\u00fcn d\u00fcnyaya, b\u00fct\u00fcn insanl\u0131\u011fa ibret olacak bir \u015fahsiyettir. Tarihte b\u00f6yle bir \u015fahs\u0131 bulmak zordur.
\nBab\u00fcr, (1483 – 1530), Hindistan’da Bab\u00fcr \u0130mparatorlu\u011fu’nun kurucusu, ilk \u0130slami y\u00f6neticilerin aras\u0131nda \u00f6zge\u00e7mi\u015fini destans\u0131 Bab\u00fcrn\u00e2me’de yazm\u0131\u015ft\u0131r. Bab\u00fcr Ali \u015eir Nevai’den \u00e7ok etkilenir ve sayg\u0131s\u0131n\u0131 onun bu \u00fcnl\u00fc kitab\u0131nda dahi g\u00f6r\u00fcl\u00fcr.
\nOsmanl\u0131lar Ana Asya miras\u0131 oldu\u011funu bildiklerinden; I. S\u00fcleyman Nevai’den \u00e7ok etkilenmi\u015f ve onun \u00fc\u00e7 kitab\u0131n\u0131 kendi k\u00fct\u00fcphanesine ald\u0131rm\u0131\u015ft\u0131r.
\n\u015e\u00f6hretli Azeri as\u0131ll\u0131 T\u00fcrk divan \u015fairi Fu\u1e93\u016bl\u012b, Safevi Hanedan\u0131 ve Osmanl\u0131 \u0130mparatorlu\u011fu koruma ve himayesi alt\u0131ndaki yazar, Nevai’den \u00e7ok etkilenir.
\nDi\u011fer etkileri Rusya’da Kazan’da, T\u00fcrkistan (Ana asya)’da, \u00e7a\u011fda\u015f T\u00fcrkiye’de ve t\u00fcm di\u011fer T\u00fcrk\u00e7e konu\u015fulan b\u00f6lgelerde g\u00f6r\u00fclm\u00fc\u015ft\u00fcr.
\nKlasik d\u00f6nemde, dil ad\u0131 \u062a\u0631\u06a9\u06cc\u200e Turk\u012b, T\u00fcrk\u012b denilen \u00c7a\u011fatayca’n\u0131n en \u00f6nemlileri M\u012br \u02bfAl\u012b Sch\u012br Naw\u0101’\u012b[7] ve Z\u0101hir ad-D\u012bn Muhammad B\u0101bur[8]’d\u00fcr.
\nZ\u0101hir ud-D\u012bn Mu\u1e25ammad B\u0101bor Herat’da \u015f\u00f6yle yazar;
\n\u201c “herkes onun faaliyetlerindeki kusursuzlu\u011funa ula\u015fmay\u0131 denedi,”[9] \u201d
\nGazelinden bir \u00f6rnek;
\nQaro ko’zim
\nKara g\u00f6zl\u00fcm
\nQaro ko’zum, kelu mardumlug’ emdi fan qilg’il,
\nKo’zum qarosida mardum kibi vatan qilg’il.
\nYuzung guliga ko’ngul ravzasin yasa gulshan,
\nQading niholig’a jon gulshanin chaman qilg’il.
\nTakovaringg’a bag’ir qonidin hino bog’la,
\nItingg’a g’amzada jon rishtasin rasan qilg’il.
\nFiroq tog’ida topilsa tufrog’im, ey charx,
\nXamir etib yana ul tog’da ko’hkan qilg’il.
\nYuzung visolig’a yetsun desang ko’ngullarni,
\nSochingni boshdin-ayog’ chin ila shikan qilg’il.
\nXazon sipohiga, ey bog’bon, emas mone’
\nBu bog’ tomida gar ignadin tikan qilg’il.
\nYuzida terni ko’rub o’lsam, ey rafiq, meni
\nGulob ila yuvu gul bargidin kafan qilg’il.
\nNavoiy, anjumani shavq jon aro tuzsang,
\nAning boshog’lig’ o’qin sham’i anjuman qilg’il.<\/p>\n

Notlar<\/strong><\/p>\n

^ chg Chagatai (\u0130ngilizce)
\n^ T778a 10 – T778b 1-16. Muhakemet\u00fc\u2019l-lugateyn, Haz\u0131rlayan F.Sema Barut\u00e7u \u00d6z\u00f6nder, Ankara, 1996, 179vd.\/ 213vd.
\n^ Ali \u015eir Nev\u00e2\u00ee, Miz\u00e2n\u2019\u00fcl Evzan, Haz. Kemal Eraslan, Ankara 1993.
\n^ Ali \u015eir Nevai. Tarih-i M\u00fcluk-i Acem Cilt 14. sayfa l91-195.
\n^ A.Nev\u00e2\u00ee, “M\u00fckemmel Eserler Toplam\u0131”, 9. Cilt, Ta\u015fkent 1992, sayfa 311
\n^ Nevruz ve Renkler, T\u00fcrk D\u00fcnyas\u0131nda Nevruz \u0130kinci Bilgi \u015e\u00f6leni Bildirileri (Haz: S. Tural, E. K\u0131l\u0131\u00e7), Atat\u00fcrk K\u00fclt\u00fcr Merkezi Yay\u0131nlar\u0131, Ankara 1996, sayfa 321.
\n^ Boeschoten \/ Vandamme: Chaghatay, sayfa 168
\n^ “Zahir ud-Din Mohammad” (2002-09-10). in Thackston, Wheeler M.: “The Baburnama: Memoirs of Babur, Prince and Emperor”. Modern Library Classics. ISBN 0-375-76137-3. Zitat: “… Andijanis are all Turks; everyone in town or bazar knows Turki. The speech of the people resembles the literary language; hence the writings of Mir ‘Ali-sher Nawa’i, though he was bred and grew up in Hin (Herat), are one with their dialect. Good looks are common amongst them.
\n^ \u0411\u043e\u0440\u043e\u0432\u043a\u043e\u0432 \u0410. \u0418\u0437\u0443\u0447\u0435\u043d\u0438\u0435 \u0436\u0438\u0437\u043d\u0438 \u0438 \u0442\u0432\u043e\u0440\u0447\u0435\u0441\u0442\u0432\u0430 \u0410\u043b\u0438\u0448\u0435\u0440\u0430 \u041d\u0430\u0432\u043e\u0438\/\/ \u0420\u043e\u0434\u043e\u043d\u0430\u0447\u0430\u043b\u044c\u043d\u0438\u043a \u0443\u0437\u0431\u0435\u043a\u0441\u043a\u043e\u0439 \u043b\u0438\u0442\u0435\u0440\u0430\u0442\u0443\u0440\u044b. \u0422\u0430\u0448\u043a\u0435\u043d\u0442, 1940, sayfa 12<\/p>\n","protected":false},"excerpt":{"rendered":"

Nizam\u00fcddin Ali \u015eir Nevai veya yayg\u0131n ad\u0131yla Ali \u015eir Nevai (\u00c7a\u011fatayca: \u0646\u0638\u0627\u0645 \u0627\u0644\u062f\u06cc\u0646 \u0639\u0644\u06cc \u0634\u06cc\u0631 \u0646\u0648\u0627\u06cc\u06cc; \u00d6zbek\u00e7e: Alisher Navoiy; Uygurca: \u0646\u0649\u0632\u0627\u0645\u0649\u062f\u0646 \u0626\u06d5\u0644\u0634\u0649\u0631 \u0646\u0627\u06cb\u0627\u0626\u0649; 9 \u015eubat 1441, Herat – 3 Ocak 1501, Herat), 15. y\u00fczy\u0131l T\u00fcrk \u015fairi. Eserleri Ali \u015eir Nevai’nin \u00c7a\u011fatayca[1] edebiyat\u0131n\u0131n olu\u015fmas\u0131nda b\u00fcy\u00fck bir rol\u00fc vard\u0131r. \u00c7e\u015fitli konularda yaz\u0131lm\u0131\u015f 30’a yak\u0131n eseri bulunmaktad\u0131r. Eserlerinden […]<\/p>\n","protected":false},"author":3,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[1,6],"tags":[],"class_list":["post-126","post","type-post","status-publish","format-standard","hentry","category-genel","category-bilginler"],"_links":{"self":[{"href":"https:\/\/tr.uyghuracademy.org\/index.php?rest_route=\/wp\/v2\/posts\/126","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/tr.uyghuracademy.org\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/tr.uyghuracademy.org\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/tr.uyghuracademy.org\/index.php?rest_route=\/wp\/v2\/users\/3"}],"replies":[{"embeddable":true,"href":"https:\/\/tr.uyghuracademy.org\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=126"}],"version-history":[{"count":3,"href":"https:\/\/tr.uyghuracademy.org\/index.php?rest_route=\/wp\/v2\/posts\/126\/revisions"}],"predecessor-version":[{"id":268,"href":"https:\/\/tr.uyghuracademy.org\/index.php?rest_route=\/wp\/v2\/posts\/126\/revisions\/268"}],"wp:attachment":[{"href":"https:\/\/tr.uyghuracademy.org\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=126"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/tr.uyghuracademy.org\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=126"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/tr.uyghuracademy.org\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=126"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}